{"id":123,"date":"2022-01-25T18:16:18","date_gmt":"2022-01-25T17:16:18","guid":{"rendered":"http:\/\/occ.esadorleans.fr\/europa-2022\/?page_id=123"},"modified":"2026-02-17T15:06:06","modified_gmt":"2026-02-17T14:06:06","slug":"europa-2022","status":"publish","type":"page","link":"https:\/\/occ.esadorleans.fr\/europa-2022\/","title":{"rendered":"Europa 2022 | EuroFabrique"},"content":{"rendered":"\n

Du 7 au 10 f\u00e9vrier 2022, dans le cadre de la Pr\u00e9sidence Fran\u00e7aise de l\u2019Union Europ\u00e9enne, le Grand Palais \u00c9ph\u00e9m\u00e8re organise l\u2019\u00e9v\u00e9nement EuroFabrique<\/a>. L\u2019\u00c9SAD Orl\u00e9ans<\/a> y pr\u00e9sente le projet Europa 2022<\/strong>.<\/p>\n\n\n\n

\"Europa<\/figure>\n\n\n
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D\u00e9passant une d\u00e9finition de l\u2019Europe ses seules fronti\u00e8res, Europa 2022 imagine une topographie sonore de l\u2019Europe qui r\u00e9v\u00e8le sa diversit\u00e9 linguistique et son identit\u00e9 par ses langues, accents et intonations.<\/p>\n\n\n\n

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Europa 2022 \u00e0 EuroFabrique \u00a9 Ja\u00efr Lanes<\/figcaption><\/figure>\n\n\n\n
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Exposition TITRE ? (\u00e0 trouver) du 20 mai au 5 juin 2022 – Centre d\u2019art ANTRE PEAUX – BOURGES<\/figcaption><\/figure>\n\n\n\n


Port\u00e9 par le programme de recherche en Art et Design \u201cObjects, Crafts and Computation\u201d<\/a> en dialogue avec la facult\u00e9 de c\u00e9ramique et de verre de la Eugeniusz Geppert Academy of Art and Design in Wroc\u0142aw, le projet Europa 2022 est un dispositif participatif et g\u00e9n\u00e9ratif dessin\u00e9 \u00e0 partir d\u2019une carte linguistique du continent qui int\u00e8gre une collection de sculptures g\u00e9n\u00e9r\u00e9es gr\u00e2ce \u00e0 un processus de physicalisation de donn\u00e9es sonores issues d\u2019enregistrements d\u2019un texte du philosophe tch\u00e8que Jan Pato\u010dka lu dans diff\u00e9rentes langues europ\u00e9ennes :
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\u00ab C\u2019est un m\u00eame h\u00e9ritage qui se maintient \u00e0 travers les catastrophes, et c\u2019est pourquoi il me semble qu\u2019on peut se hasarder \u00e0 affirmer que l\u2019Europe \u2013 l\u2019Europe occidentale surtout, mais aussi celle qu\u2019on appelle \u00ab l\u2019autre Europe \u00bb \u2014 est issue du soin de l\u2019\u00e2me. \u03a4\u03b7\u03c2 \u03c8\u03c5\u03c7\u03ae\u03c2 \u03b5\u03c0\u03b9\u03bc\u03b5\u03bb\u03b5\u03af\u03c3\u03b8\u03b1\u03b9, voil\u00e0 le germe dont est n\u00e9 ce qu\u2019a \u00e9t\u00e9 l\u2019Europe. \u00bb <\/p>\n\n\n\n

[br]<\/strong><\/p>\nJan Pato\u010dka, Platon et l\u2019Europe, S\u00e9minaire de 1973, trad. E. Abrams, LAGRASSE, VERDIER, 1983, P.99.<\/em><\/em><\/cite><\/blockquote>\n\n\n

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[br]Les voix d’Europa 2022<\/strong><\/strong><\/h2>\n\n\n\n

[br]<\/strong>Allemand, Rh\u00e9nanie du Nord-Westphalie \u2022 Deutsch, Nordrhein-Westfalen – Meriem Balah<\/strong>
Allemand \u2022 Deutsch – Uli Mesenheimer<\/strong>
Anglais, Ecosse \u2022 Scottish English – Hannah Aitken<\/strong>
Anglais, Angleterre \u2022 British English – Andree Furey<\/strong>
Arabe litt\u00e9raire \u2022 \u0627\u0644\u0644\u063a\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0627\u0644\u0623\u062f\u0628\u064a\u0629 – Salma Essid<\/strong>
Basque \u2022 Euskara – Olhagaray-Jauregui Monika<\/strong>
B\u00e9arnais \u2022 Bearn\u00e9s – Bernat Casanava<\/strong>
Bosniaque \u2022 Bosanski – Nedija Salazar-Smajic<\/strong>
Chinois \u2022 \u4e2d\u570b\u4eba – Yan Chen<\/strong>
Espagnol \u2022 Espa\u00f1ol – Vicent Hern\u00e1ndez<\/strong>
Espagnol \u2022 Espa\u00f1ol – Catherine Gueble<\/strong>
Fran\u00e7ais, France – Emmanuel Guez<\/strong>
Fran\u00e7ais, Belgique – Serge Hoffman<\/strong>
Fran\u00e7ais, Belgique – Huguette Perdeels<\/strong>
Grec \u2022 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ac – Diony<\/strong>
H\u00e9breu \u2022 \u05e2\u05b4\u05d1\u05e8\u05b4\u05d9\u05ea – Zamir Eldar<\/strong>
Hongrois \u2022 Magyar – Panni Demeter<\/strong>
Italien \u2022 Italiano – Maria Cecilia D’Ercole<\/strong>
Italien des abruzzes \u2022 Italiano abruzzese – Maria-Antonietta Tarquino <\/strong>
Kazakh \u2022 \u049b\u0430\u0437\u0430\u049b – Aigerim Konurbayeva<\/strong>
N\u00e9erlandais \u2022 Nederlands – Annie Abrahams<\/strong>
N\u00e9erlandais \u2022 Nederlands – Eloy Flambeau<\/strong>
N\u00e9erlandais \u2022 Nederlands – Katharina Jaski-Lanting<\/strong>
Polonais \u2022 Polskie – Joanna Opalska-Brzecka<\/strong>
Polonais, langue r\u00e9gionale \u00ab\u00a0Podhalan\u00a0\u00bb \u2022 Polskie – Xymena Smreczak<\/strong>
Portugais \u2022 Portugu\u00eas – Angela Correia Almeida<\/strong>
Portugais \u2022 Portugu\u00eas – Silvina<\/strong>
Portugais br\u00e9silien \u2022 Portugues do Brasil – Luiz Gustavo Machado de Carvalho<\/strong>
Russe \u2022 \u0440\u0443\u0441\u0441\u043a\u0438\u0439 – Anastasiia Andreicheva<\/strong>
Scanien \u2022 Sk\u00e5ne – Basem Agha<\/strong>
Slovaque \u2022 Slovensk\u00fd – Suzanne Anger<\/strong>
Slovaque \u2022 Slovensk\u00fd – Jonas Paucula<\/strong>
Slov\u00e8ne \u2022 Sloven\u0161\u010dina – Dare Peji\u0107<\/strong>
Su\u00e9dois \u2022 Svenska – Soren Fredriksson<\/strong>
Tch\u00e8que \u2022 \u010ce\u0161tina – Jitka Bazantova<\/strong>
Tunisien \u2022 \u062a\u0648\u0646\u0633\u0649 – Salma Essid<\/strong><\/p>\n\n\n\n

[br]<\/strong> Merci \u00e0 tous les contributeurs pour leur participation.<\/strong><\/p>\n\n\n

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Ecole partenaire: The Eugeniusz Geppert Academy of Art and Design in Wroc\u0142aw<\/h1>\n\n\n\n

[br]<\/strong> Le programme de recherche Objects, Crafts and computation de l’\u00c9SAD Orl\u00e9ans a invit\u00e9 la facult\u00e9 de c\u00e9ramique et de verre de la Eugeniusz Geppert Academy of Art and Design in Wroc\u0142aw en vue d’une collaboration pour l’\u00e9v\u00e9nement EuroFabrique. Le groupe d’\u00e9tudiants polonais est encadr\u00e9 par Renata Bonter-J\u0119drzejewska, Ph.D. Vice-Doyenne de la Facult\u00e9 de C\u00e9ramique et de Verre et Joanna Opalska-Brzecka, assistante, Facult\u00e9 de C\u00e9ramique et Verre.<\/p>\n\n\n\n

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Les \u00e9tudiants en enseignants des deux \u00e9coles partenaires r\u00e9unis \u00e0 Eurofabrique.<\/figcaption><\/figure>\n\n\n\n

Proje<\/strong>ct<\/h2>\n\n\n\n

TERRITORY, relative area<\/strong><\/h3>\n\n\n\n

TERRITORY designation<\/strong><\/p>\n\n\n\n

TERRITORY as a physical, geographical space’ context TERRITORY as a private, personal zone
TERRITORY as the cumulative layers, common parts, continuum TERRITORY as a safe or (dangerous) space
TERRITORY as an open or closed area
TERRITORY designated by the domination, annexation, violence<\/p>\n\n\n\n

Ceramic medium:
<\/strong>The multiform nature of the CERAMIC material – CERAMICS as a trace of human activity (regions, areas, basins) – Generally available, occurring on all continents ceramic material is perfect for the experimental activities – CERAMICS as a biodegradable material<\/p>\n\n\n\n

The group of Polish students of The Eugeniusz Geppert Academy of Fine Art and Design in Wroclaw, present the processes of defining a variable area, relatively open and closed, seemingly safe or disturbing, homogeneous and multidimensional. The space around the title TERRITORY – relative area will is organized by ceramic objects bearing the hallmarks of human emotions, non-verbal messages, and coded gestures.<\/p>\n\n\n\n

Describing the meaning of the TERRITORY, participants refer to the spatial situation in which they exchange their individual experiences, sensitivity and the need to define the personal distance (intimate, personal, social, public).<\/p>\n\n\n\n

Workshop<\/h2>\n\n\n\n

Act 1<\/strong><\/h3>\n\n\n\n

On three tables surface the clay will is rolled out to a thickness of 3-5 cm. By using previously prepared tools (e.g. stamps, rollers, scrapers) participants formulate individual or collective statements. Increasing layers of signs, symbols, and meanings register the messages created. After 1-2 days, when the clay hardens, the entire map will is cut into small pieces and transferred to the floor. Finally, the prepared forms and loose ceramic raw materials are used to create an object presenting the multitude of thoughts, attitudes, and goals of us Europeans, in the past, present, and future. All activities in the ceramic material will complemented by multimedia projections.<\/p>\n\n\n\n

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\u00ab\u00a0By using previously prepared tools (e.g. stamps, rollers, scrapers) participants formulate individual or collective statements. Increasing layers of signs, symbols, and meanings register the messages created.\u00a0\u00bb<\/figcaption><\/figure>\n\n\n\n
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Territory project, day 3, at EuroFabrique \u00a9 Ja\u00efr Lanes

\u00ab\u00a0Finally, the prepared forms and loose ceramic raw materials are used to create an object presenting the multitude of thoughts, attitudes, and goals of us Europeans, in the past, present, and future\u00a0\u00bb<\/figcaption><\/figure>\n\n\n\n

Act 2<\/h3>\n\n\n\n

This not a plate (1) was the project presented at Argill\u00e0 Italia 2010 – Faenza Ceramics Festival, for the preservation of the linguistic, cultural, and intangible heritage of all communities and for human rights, integration, and peace education. The author wanted to stir deep memory of what humanity should strive for right then if they wanted to leave in peace on planet Erarth. Paraphrasing the title of the project from many years ago This not a plate, a new semantic context of the archetype of the utility vessel is created. White porcelain plates with cuted holes will allow you to create a variety of compositions made of colored strings, tapes or ribbons, corresponding to the colors of the national flags. Flat plates (diameter 270 mm) will be joined in various ways. Three-dimensional installations suspended on the racks will be created and complemented by the projections of graphic images on the vessel’s surface.<\/p>\n\n\n\n

(1) Project description: Through simultaneous presentation in 35 languages on 35 decorated plates, this book looks at words we have in common that unite people around the world; plates with visible and veiled messages for human rights that call out to a private and collective memory. They and all they represent want only one and the same thing: they want to be remembered.<\/p>\n\n\n\n

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Polish Team<\/h2>\n\n\n\n

Professors: Renata Bonter-J\u0119drzejewska, Piotr Ko\u0142oma\u0144ski, Joanna Opalska-Brzecka, Maja Woli\u0144ska,<\/p>\n\n\n\n

Students: Micha\u0142 Bednarski, Foteini Kolaiti, Anna Kotkiewicz, Patrycja Maciaszek, Patrycja Sok\u00f3lska, Antonina Wolska.<\/p>\n\n\n\n

Equipe fran\u00e7aise<\/h2>\n\n\n\n

Le programme de recherche en Art et Design \u201cObjects, Crafts and computation\u201d<\/strong>
Le programme de recherche questionne, par l\u2019art et le design, la nature des objets dans les espaces connect\u00e9s.\u00a0Objects, Crafts and Computation\u00a0<\/a><\/em>part de l\u2019hypoth\u00e8se que les donn\u00e9es num\u00e9riques peuvent \u00eatre consid\u00e9r\u00e9es comme un mat\u00e9riau dont le designer ou l\u2019artiste peut s\u2019emparer pour cr\u00e9er des formes singuli\u00e8res, critiques et po\u00e9tiques : des DATA_Sculptures.
<\/p>\n\n\n\n

L’\u00e9quipe d’Europa 2022<\/strong>: Hugo Bosqu\u00e9, Olivier Bouton, Salma Essid, Anne-Laure Fr\u00e9ant, Sylvia Fredriksson, Emmanuel Guez, Emmanuel Hugnot, Luiz Gustavo Machado de Carvalho, Gabriel Martinez, Etienne Mosnier, Th\u00e9r\u00e8se Nalin, Ma\u00eblle Pires, Am\u00e9lie Samson, Manon Souchet, Eva Vedel, Caroline Zahnd.<\/p>\n\n\n\n

Coordination administrative et internationale<\/strong>: Marion Quintin<\/p>\n\n\n\n

Ateliers<\/strong> : Madi Kassay, Virginie P\u00e9chard<\/p>\n\n\n\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"

Du 7 au 10 f\u00e9vrier 2022, dans le cadre de la Pr\u00e9sidence Fran\u00e7aise de l\u2019Union Europ\u00e9enne, le Grand Palais \u00c9ph\u00e9m\u00e8re organise l\u2019\u00e9v\u00e9nement EuroFabrique. L\u2019\u00c9SAD Orl\u00e9ans y pr\u00e9sente le projet Europa 2022. D\u00e9passant une d\u00e9finition de l\u2019Europe ses seules fronti\u00e8res, Europa 2022 imagine une topographie sonore de l\u2019Europe qui r\u00e9v\u00e8le sa diversit\u00e9 linguistique et son identit\u00e9 […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-123","page","type-page","status-publish","hentry"],"rttpg_featured_image_url":null,"rttpg_author":{"display_name":"CZ","author_link":"https:\/\/occ.esadorleans.fr\/europa-2022\/author\/cz\/"},"rttpg_comment":0,"rttpg_category":null,"rttpg_excerpt":"Du 7 au 10 f\u00e9vrier 2022, dans le cadre de la Pr\u00e9sidence Fran\u00e7aise de l\u2019Union Europ\u00e9enne, le Grand Palais \u00c9ph\u00e9m\u00e8re organise l\u2019\u00e9v\u00e9nement EuroFabrique. L\u2019\u00c9SAD Orl\u00e9ans y pr\u00e9sente le projet Europa 2022. D\u00e9passant une d\u00e9finition de l\u2019Europe ses seules fronti\u00e8res, Europa 2022 imagine une topographie sonore de l\u2019Europe qui r\u00e9v\u00e8le sa diversit\u00e9 linguistique et son identit\u00e9\u2026","_links":{"self":[{"href":"https:\/\/occ.esadorleans.fr\/europa-2022\/wp-json\/wp\/v2\/pages\/123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/occ.esadorleans.fr\/europa-2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/occ.esadorleans.fr\/europa-2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/occ.esadorleans.fr\/europa-2022\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/occ.esadorleans.fr\/europa-2022\/wp-json\/wp\/v2\/comments?post=123"}],"version-history":[{"count":60,"href":"https:\/\/occ.esadorleans.fr\/europa-2022\/wp-json\/wp\/v2\/pages\/123\/revisions"}],"predecessor-version":[{"id":657,"href":"https:\/\/occ.esadorleans.fr\/europa-2022\/wp-json\/wp\/v2\/pages\/123\/revisions\/657"}],"wp:attachment":[{"href":"https:\/\/occ.esadorleans.fr\/europa-2022\/wp-json\/wp\/v2\/media?parent=123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}